8.13.2026

Letta Mbulu - Not Yet Uhuru (98) Columbia , South Africa

DJからは古くはWhat's Wrong With Groovin'のリイシューやAfro texas、ディスコ視点だとKilimanjaro、シンセポップなどではNomalizo等、その他にも時代が移り変わっても尚愛されるボーカリストのLetta Mbuluですが、98年にもこんな作品がありました。

南アフリカのアーティストってジャズ等の文脈で壮大な大地を歌うような方向性、そしてよりアンダーグラウンドなKwaito等のローカルミュージックになっていく方向性。
彼女は前者だと思うのですが、このアルバムに入っているのは紛れもなくアフロ・ハウスな"Kushukuti"がおすすめです!
CDも出ているのですが、南アフリカ盤のみのLPをチョイス。歯切れよくタイトなビートとともに突き進んでいく壮大な1曲。ブレイクビーツにポエトリートラップが絡む"Home Brew"もなかなかいい。

For DJs, Letta Mbulu is a name that has kept resurfacing across generations. From the reissue of What’s Wrong With Groovin’ and Afro Texas to the disco-leaning Kilimanjaro and synth-pop gems like Nomalizo, her music has remained remarkably relevant on dancefloors. And even as late as 1998, she was still making records like this.

South African music often seems to branch off in two very different directions: one rooted in jazz and expansive, almost cinematic visions of the African landscape, and another that moves deeper into local underground forms such as Kwaito. Letta Mbulu has always felt closer to the former.

Yet tucked away on this album is “Kushukuti,” a track that is unmistakably Afro House — and easily my pick from the record. Driven by a crisp, tightly locked beat, it keeps pushing forward while retaining the grand, sweeping quality that defines so much of her music.

The album was also released on CD, but I went for the South African-only LP pressing. A beautiful meeting point between Letta Mbulu’s expansive musical world and the pulse of late-’90s South African dance music. Also worth checking is “Home Brew,” with poetry and rap over breakbeats.





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Maira Gall